Some of you might ask where am I after more than two years of being inactive here.
During these two years that I am not posting in this site, I am currently working, and hence I cannot devote full-time to writing. Added to it was the recent pandemic and so many challenges encountered on social and personal life.
As I see that despite giving advices and posting, and yet nothing has substantially changed in my life for these past years, it hurts but will have to say goodbye – and be inactive for the meantime.
By the way, during these two years, I am still active on YouTube, continuing the fun and other side of the news (albeit more on K-Pop). You can still follow or subscribe the TweetNewscaster channel here:
The fun still continues, though on another platform. Thank you so much for the support and for the reads, and who knows – hoping that we can write again, especially if personal situation improves. Till next time. 🙂
January 24 was Oh My Girl JinE‘s birthday. Some thoughts here:
A picture surfaced where JinE’s looks then and now are being compared. One can see the drastic improvement she had as compared to her stint as member of now-famous group.
For a bit of context, she left on October 30, 2017 due to health reasons. This was long before the group was being properly recognized. Healthwise, it would be understandable on our part to quit for her to recover.
It would not be practical today to recognize her as part, (although we respect Miracles preferring to do so). First, she intended to leave the group permanently. Second, she pursued her life as an ordinary person. Finally, with JinE long out of the group, we have no way to know her better.
The author only knew the group and became a Miracle during the Bungee era. At that point only seven members are recognized.
In fairness, WM Entertainment learned from what happened to the former member. Now they are issuing updates and apologies on the health of the remaining members. These consistent responses merit excellent rating in favor of WM.
In engagements with K-Pop, the author deals differently with former members of some groups.
In most cases, members who left are thereby considered as left for good. This was the case with Momoland’s Yeonwoo (shift to acting career), Saturday and Busters members (frequent turnovers), PENTAGON‘s Dawn, and JinE.
However, some former members are still considered by the author as part of the group. Take the case of Cherry Bullet’s former 3 members (agency’s gross negligence) and CLC‘s Elkie (taking courage to expose the problems).
(Side Note: In rating select groups, primary objective is to assess the groups’ responses and attitude of its members. These are crucial also for their survival, profitability, and reputation.
Groups who are not mentioned here and in related articles are presumed to garner 85.00% rating, or “Satisfactory”, unless otherwise stated.)
(G)I-DLE
The immediate success of the group is largely attributed to their mutual trust, creativity, and quick responses. As Soyeon noted, “We could become confident just by trusting ourselves.” Added to that is on them trying to be creative. In fact, Soyeon still involved herself in album making.
Final attitude worth commending was on Shuhua. Upon sensing that someone hurled malicious comment at Soojin and her, she confronted him/her. There Shuhua demonstrated the extent of friendship between her and her members.
Also, upon learning of Nevies demanding apology to Shindong regarding language issues, she took to Instagram to clarify everything what happened. Just like what their labelmate did last year, issues need to be clarified to avoid future misunderstandings.
She went beyond to help CLC by reviewing the song and calling them as pretty.
One of the composers of Dolphin noted how special the group’s teamwork was, particularly that of Seunghee who exerted best efforts for the group, to make their b-side song a successful one.
Though not part of grading the group, the attitude of Miracles is worth commending. At one engagements, some Miracles took effort to give compliments, which is very appreciated.
Attendance in concerts, meet-ups, and overseas TV shows.
8
10
6
Review as whole
5
5
7
Other factors
Apink
Apink’s director explained that the leader and members demonstrated teamwork and affection for each other, which are secrets for their success. Their acts clearly prove this.
Another act worth commending is on helping fellow labelmates. For instance, they supported VICTON, especially in the latter’s first solo concert. Hayoung meanwhile assisted Noh Jihoon compose his song. They also even went far to help Weeekly by giving them advice.
Rating: 92.50% Grade: A- Assessment: Very Good % Change: +7.50%
Scoreboard
Criterion
Points
Base
1
Health issues
5
5
2
Dating issues
5
5
3
Other issues (internal)
5
5
4
Attitude
10
10
5
Attendance in concerts, meet-ups, and overseas TV shows.
8
10
6
Review as whole
4
5
7
Other factors
CLC
Yeeun tried to reduce understandings between Cheshires and her agency over the latter’s issue. And even if she became famous as rapper in Good Girl, she expressed her desire to rejoin with her fellow members.
Most outstanding was that of Elkie. She took the initiative to bring Cube’s problems to light by issuing a legal letter. Brave acts like this are very rare, and for the effort, additional points will be given in favor of the group.
As a whole, CLC cheered and gave support to the main rapper in her solo stint.
Attendance in concerts, meet-ups, and overseas TV shows.
9
10
6
Review as whole
4
5
7
Elkie’s bravery demonstrated
5
5
AOA
While Jimin continued supporting for other artists, as it did with Cherry Bullet and Oh My Girl, her deeds have gone to waste with Mina’s revelations kept for years.
Mina’s big revelations highlight also the failure of other members to resolve this issue the soonest. Had they noticed it and took steps to admonish Jimin, this would’ve not be disclosed to public. The mutual trust and respect is not true as it appears to be.
What’s miserable is their lack of courage to stand up for Mina (which is apparent on her another post). But at least, after the incident Hyejeong and Chanmi apologized, and Jimin did the same, then later left the group out of respect.
Another minor problem, as Mina explained, was on the leader’s lack of propriety towards her fellow members. No cautious artist will try to bring a man inside a shared space and have sex.
This teaches other groups another lesson: With no response, comes the price. It’s just sad to see AOA falling into pieces after the incident. By then we would not be certain if they might resume again promotions as group.
Attitudes can make or break careers. We emphasized this last year, and we will repeat it this time. It is hoped that other groups will take these lessons very seriously, to prevent incidents from happening again.
Rating: 65.00% Grade: F Assessment: Failed % Change: -25.00%
Scoreboard
Criterion
Points
Base
1
Health issues
5
5
2
Dating issues
5
5
3
Other issues (internal)
1
5
4
Attitude
5
10
5
Attendance in concerts, meet-ups, and overseas TV shows.
(Side Note: In rating select groups, primary objective is to assess the groups’ responses and attitude of its members. These are crucial also for their survival, profitability, and reputation.
Groups who are not mentioned here and in related articles are presumed to garner 85.00% rating, or “Satisfactory”, unless otherwise stated.)
TWICE
In several instances, the members have been expressive in their feelings. This approach helps in building trust with each other and Onces. As a whole, the group is still expressing their concern towards each other.
Let’s cite some instances. Momo and Sana’s letter to fans reflected their deep gratitude and desire to communicate with fans. Members were also sharing updates on Minari’s condition, plus Jihyo comforting her as she prepared to resume activities. Finally, Chaeyoungapologized to her fellow members for being cold.
Minari’s level of dedication is commendable. In an interview Mina told that she did her best for Onces, up to the point she focused without realizing she bled her knee.
Other matters
With all the hate remarks piling up on Jihyo, it’s understandable if she had to rant over it. Anyway, this will have no negative effect on our group ratings.
When Onces issued apologies to the group for not bagging many awards, the leader took to VLive to greet and show gratitude. She explained also that Onces do not need to apologize as they managed to get two awards.
Their regard for fellow stars in the industry is noted, with Jin sending a coffee truck for Yoo Seungho, helping Sleepy during the latter’s hard times, and showing regard to GFRIEND as their fellow labelmate. Equal regard is also given to fans, like what RM did upon knowing of their Seoul concert being cancelled. For their employees, they still showed respect to them regardless of rank when inside the company. These show that they still didn’t forget connecting with those who need them and matters the most.
BTS finally considered changing choreography to less dangerous ones, as we pointed out last year. Related to that, Suga went far to update ARMYs on his status.
Not related, but ARMYs took efforts to thank and compliment the author on its latest work.
Attendance in concerts, meet-ups, and overseas TV shows.
10
10
6
Review as whole
5
5
7
Other factors
GFRIEND
So far, no attitude issues against the group (the latest with Umji updating her health status). But most of their fans have.
Not to start fanwars, but to tell the truth. We discussed earlier how most of them were very unappreciative of the author’s shared post, even if it’s funny. Added problem was on dragging other group down. Sure, other fandoms have an awful share of these attitudes. However, as we talk to them, they will compliment and show appreciation.
If Buddies will maintain this kind of attitude in the coming years, no choice but to give failing grade against the group. These attitudes aren’t something one expects when a particular fandom is peaceful and engaging.
Rating: 97.50% Grade: A+ Assessment: Excellent % Change: No change
Scoreboard
Criterion
Points
Base
1
Health issues
5
5
2
Dating issues
5
5
3
Other issues (internal)
5
5
4
Attitude
10
10
5
Attendance in concerts, meet-ups, and overseas TV shows.
9
10
6
Review as whole
5
5
7
Other factors
Stray Kids
Succinct, but notable was on Bangchan’s reminders to former member Woojin, though in the form of hint. There he discussed how important attitude is, especially if many people are involved. Going beyond to detail the deep reason why the latter left is worth commending.
His statement is a big help not only to the group but to all of us. It reads:
“There’s a lot of things that happened last year, but it was all for the best. It’s okay to make mistakes but make sure to be careful, because it can really affect you and the people around you. I knew someone who had to face the worst consequence by making a lot of mistakes. It was because of those mistakes that really affected the people around him.
If you make a promise with the team, you need to be responsible and keep those promises – not break them. Everyone makes mistakes, but remember to think about the people around you and your future. The actions and decisions that you make can become a big turning point in your life.
Don’t be that person who only thinks about himself, and make sure to think about the people around you too. If you don’t, it’s really like betrayal and you’re being really selfish. I can’t go too much into detail but STAYs know what I mean….”
While we don’t include Woojin as factor to grade upon, we have to count his wrong decisions for us to learn. Apparently he consistently went to bars in violation of agency’s rules, “talked crap about Bangchan”, and assaulted women.
Attendance in concerts, meet-ups, and overseas TV shows.
10
10
6
Review as whole
5
5
7
Other factors
GOT7
Notable attitude is noted on Bambam, who defended BLACKPINK’s Lisa from racist remarks. Aside from being a good friend, he also sends message that racism has no place in K-Pop.
(Side Note: In rating select groups, primary objective is to assess the groups’ responses and attitude of its members. These are crucial also for their survival, profitability, and reputation.
Groups who are not mentioned here and in related articles are presumed to garner 85.00% rating, or “Satisfactory”, unless otherwise stated.)
BLACKPINK
What are the group’s outstanding attitudes? Brave, frank, and considerate.
Recognizing what Blinks wanted for so long, they took opportunities to throw shade at YG. For instance, in her appearance at Vogue Korea, Jennie gave a straightforward wish: “A comeback with an album. That’s it.”
Jennie’s statement (and others) shows that they are indeed listening to Blinks. This is very important in building trust with fans.
Talking about Lisa, when news of swindling by her former manager surfaced, she opted a “smooth settlement” instead of going the usual route. Kindness like this one are rare to be honest.
(Side Note: In rating agencies, primary objective is to evaluate agencies’ responses to various issues. Responses are a crucial ingredient for agencies’ and groups’ survival, fame, and profitability.
Communication skills will be added as another criterion to further emphasize the foregoing point. Finally, the following only covers the whole of 2020:)
JTG/Marbling
The agency (hereinafter referred to as Marbling) handles Busters and Berry Good. Even with just two groups, they encounter various troubles managing particularly that of the first group.
Major problem is on setting priorities, particularly on Chaeyeon. As filming comebacks do happen less frequently (as compared to filming a show), Marbling should’ve prioritized comebacks over TokTok Bon Hani. But still, they just let her stick to the show at the expense of being part of Busters.
Second major problem is on sexualizing some of the members. Chaeyeon being called as “bitch”(and being hit) on Bon Hani should be a warning sign for Marbling to pull her out. Another situation shows them being uncomfortable on their outfits during their VLive, which we don’t know if they have progressed on this matter.
Third major problem is on the group’s frequent change of lineup. This year, Hyeongseo, Chaeyeon, and Jisoo left due to studies and/or external harassment encountered. Recurring change of lineups indicate something’s wrong with how Marbling retains their talents.
Minor problem was on lack of sensibilities with regards to K-Beauty. A beauty ad featured Jisoo who hasn’t undergone facial surgery procedures. K-Pop stars who could endorse it could get a backlash, something Marbling did not foresee or respond to.
The only positive aspect was on issuing updates on malicious comments. Still, the agency might not succeed in overcoming their challenges if they aren’t learning from their mistakes.
Rating: 67.27% Grade: F Assessment: Failed % Change: -17.73%
Scoreboard
Criterion
Points
Base
1
Promotion of groups
4
5
2
Rolling of comebacks
5
5
3
Handling boy groups
4
Handling girl groups
2
5
5
Assessment as whole
6
10
6
Longevity of groups
6
10
7
Handling issues and responding
6
10
8
Communication skills
3
5
9
Secondary frontline service
5
5
Kakao M
(Kakao M will be rated on behalf of EDAM.)
For positive notes, that would be primarily of IU, whom they gave the needed support and protection. That is apparent with their statements and projects with her. Plus, on their updates dealing with malicious comments.
Still, the awful revelations from Fiestar’s Cheska mirrored the usual problems K-Pop stars face with agency. While this was happened a long time ago, it is not ignored as this casts some trust issues lest Kakao M would debut another group.
Another negative point is on its distribution brand 1theK. This undergone changes that went too far: (1) on logo change (from colorful and deeply-thought design to absurdly plain and unrelated one), (2) promotion of the Originals segment instead of the groups themselves, and (3) on being lazy putting up descriptions of MVs being lent. (These unnecessary changes necessitated removing incentives to vids uploaded to channel starting with LOONA’s So What.)
And up to now, it hasn’t responded on profit sharing issues which fans of some groups are taking notice of. For these concerns they have to strategize on marketing the brand better than what it is now.
It lost to agencies, which became less reliant to their broadcasting, but in fairness it picked up some new agencies which allowed 1theK to broadcast MVs.
A separate section is reserved for small agencies. Though very impractical to rate individually, their responses have to be noted, and corrected if there’s any. Criticisms, whether positive or negative, will be a lot of help for agencies to shape up and succeed as they bring their talents to K-Pop.
Negatives
Lack of transparency and response, bullying issues, and hiatus are usually the problems when we are discussing small agencies. As to bullying, WKS ENE and ANS Ent (which handles ILUV and ANS respectively) took a difficult time sorting and fixing this out. Even if not at fault, the way they handle this case (and Minah and Haena being serious on this) casts doubt on the ability to handle future groups.
(We wish to commend the remaining members of ANS for drafting their position on this issue. Initially while their agency invoked validity of contract, it finally made the move to terminate the contract or allow it to expire.)
Another issue revolves on sexual harassment against the group member/s, as is the case with Addiction Entertainment and FENT on their respective groups YellowBee and FANATICS.
Most important of all is on responding and giving updates, as is the case with J-FLO and MNH which respectively handles Newkidd and BVNDIT. At least J-FLO attempted to give updates on missing three members (Hansol, Jiann, and Sungchan), but they did not give another update for so many months. For BVNDIT, MNH provided engagements for them at the start of the year, only to eliminate it later without notice and/or apologies. These situations are an absolute, big no-no.
Special mention goes to Zenith Media Contents, which handled Z-Boys and Z-Girls and yet closed without any announcement. Furthermore, its parent company still has not made progress on promoting these two groups.
Positives
Let’s go to positive responses, particularly that of Beat Interactive, Brand New Music, A100, and C9 Entertainment, handling A.C.E, AB6IX, XUM, and cignature respectively. For Beat, they have to be commended for their speedy response. This is related to untoward incident where its members unknowingly drank a super glue.
Upon noticing an incident involving their vehicle, the agency wasted no time acting upon it. Beat went a step further to apologize to fans (albeit not at fault) and show gratitude to the latter for expressing concern.
Second is on BNM, which shared an update relating to malicious comments, following with another one. Another note is on issue related to Lim Youngmin’s drinking incident. It’s heartening that they are now learning from these, as is the case with other good agencies.
Third is on A100, in which instead of disbanding Neon Punch, managed to reconfigure the group as XUM. Also, it responded to racism issues by immediately apologizing over it.
Finally, C9’s response is one of the best for this year. Even if C9 was silent on Good Day’s status, it made up by reconfiguring the group (as cignature) and promoting it well. As this setup is something new, problematic agencies may choose this option. Five extra points are also given as a reward for this innovative step.
With regards to CIX they prioritized Bae Jinyoung’s health over comeback, informed the public accordingly, and gave updates on this.
Further positives
Even with limited capabilities, TOP Media promoted UP10TION and rookie group MCND pretty well.
Another excellent point was on RootsEntertainment, which handles Girls Alert. Its member Seulbiundergone treatment on her mental health this year, in which she was grateful. It’s also impressive how their CEO handled the situation, from updating her status to giving her words of encouragement. With respect to the group, Roots terminated their contracts to help members go with new ventures. It can be remembered also that the agency was experiencing financial difficulties due to the pandemic.
As for Highup, which handles STAYC, it’s heartening that they took actions to prevent a repeat of plagiarism issues, such as contacting the original music. For VINE, which handles SECRET NUMBER, their promotions with the group are beginning to pay off, and are now defending Soodam against baseless rumor on her.
(Rating and breakdown of scores will be provided upon request.)
(Side Note: In rating agencies, primary objective is to evaluate agencies’ responses to various issues. Responses are a crucial ingredient for agencies’ and groups’ survival, fame, and profitability.
Communication skills will be added as another criterion to further emphasize the foregoing point. Finally, the following only covers the whole of 2020:)
MLD Entertainment
From what might have happened internally, Daisy’s revelations shed some light of dirty secrets prevalent in the K-Pop industry as a whole. Pardon, but Daisy is mostly right as the agency keeps on being dishonest towards the group and the fandom.
Despite success, its legal battles with former member Daisy will pose another major challenge for the agency in the months and years to come. Even if she intends to promote with the remaining members, MLD Ent doesn’t want her to work or terminate the contract.
Up to this point, MLD Ent hasn’t issued apologies to Merries for the long delay incurred for 2019. That’s the simplest task which they didn’t take seriously. Aggravating to it was their debut of a new boy group without fixing issues first. As a result, failing grade will continue till their lead group is disbanded or reconfigured.
(Side Note: Upon re-evaluation of the group’s attitudes, it is becoming apparent that the agency has the heavy burden. As such we will not now grade the group, but it doesn’t mean that trust will be reestablished.
Another note: Apparently the contract signed puts heavy burden on the members. As far as contracts are concerned, they must be presumed as valid except if it is too burdensome on part of the K-Pop stars.)
Rating: 52.73% Grade: F Assessment: Failed % Change: +0.73%
It has been few years since Gugudan made their last comeback, and no follow-ups from the agency till disbandment. And though commendable was on giving Sejong her solo and drama, Jellyfish didn’t take steps to eliminate definition of Gugudan as “Sejong and Friends.” Worse, it’s alarming other members felt that they’re left behind.
By not giving updates, and not detailing what really happened to the girl group, Jellyfish has been dishonest. That’s an absolute no-no if they want to succeed. Apparently, Sally narrated how her fellow members were evicted from their dorm, thereby putting an end to the group. If that’s the case, better for them not to debut any new groups anymore.
Let’s go to positive notes. Aside from giving VIXX members solo promotions and immediate apologies on issue with Hongbin, it promoted VERIVERY quite well via Kingdom, updated on Minchan’s health, and engaged its member Kangmin as Show Champion MC.
Rating: 51.67% Grade: F Assessment: Failed % Change: -28.33%
Scoreboard
Criterion
Points
Base
1
Promotion of groups
3
5
2
Rolling of comebacks
1
5
3
Handling boy groups
3
5
4
Handling girl groups
1
5
5
Assessment as whole
6
10
6
Longevity of groups
8
10
7
Handling issues and responding
5
10
8
Communication skills
1
5
9
Secondary frontline service
3
5
MBK Entertainment
After being a punching bag of critics for several years, MBK somehow improved this 2020.
The word “somehow” is being emphasized since their groups rarely have comebacks. For instance, it was entrusted to manage 1the9 which they gave few of it. Also, with DIA on the verge of disbandment, it responded by providing a life-saving one.
Still, another issue has to be fixed. Any sense of care for two DIA members (Somyi and Chaeyeon)? Last time, Somyi took to live broadcast to air her struggles on career. And even if Huihyeon explained that the two needed rest, Chaeyeon expressed her desire to come back and be with the members. This reeks of MBK consistently being dishonest on the group’s status.
Behind the scenes, Somyi got entangled in a dating rumor that proved to be false. At that point, MBK banned her from using social media, which made Somyi go Instalive without company’s permission to reveal the truth. Aside from being dishonest, MBK revealed how poor it manages the situation.
From the situations above, MBK is still struggling in operational and financial aspects. Moreso, on how to deal with lingering issues being thrown at them.
Rating: 56.67% Grade: F Assessment: Failed % Change: +3.94%
Scoreboard
Criterion
Points
Base
1
Promotion of groups
3
5
2
Rolling of comebacks
5
5
3
Handling boy groups
3
5
4
Handling girl groups
1
5
5
Assessment as whole
6
10
6
Longevity of groups
5
10
7
Handling issues and responding
5
10
8
Communication skills
1
5
9
Secondary frontline service
5
5
Play M Entertainment
Even if their promotions with Apink are wanting in comparison, Play M never fails to credit the group for their expansion and success. They were supporting the members in writing lyrics for their recent album, and are starting individual promotions for Naeun’s drama. Legal actions are also ready for those who will make malicious comments against the longtime group.
They debuted another new girl group called Weeekly, and from that point they got the necessary promotions and attention they deserve. The latest was on being the Best New Female Artist for this year’s MNet Asian Music Awards. Not to mention that PlayM gave updates on Jihan’s health status.
Its greatest improvement is seen on VICTON. Though not mentioned earlier, Byungchoon and Seungwoo were fielded in Produce series in order for the group to be recognized. Thankfully, PlayM got them back, and provided the group its first concert for this year, which according to reports had sold all tickets in just five minutes.
And added layer of protection for them? PlayM got it. So, five extra points will be added to PlayM for a job well done.
TS still earns its spot as one of the most consistent mismanaged agencies. And that’s not surprising, as no activities for their groups were executed (or planned) for 2020. This came to a point where SONAMOO’s Euijin have to initiate awareness on her group.
Rating: 25.45% Grade: F Assessment: Failed % Change: -25.46%
Scoreboard
Criterion
Points
Base
1
Promotion of groups
1
5
2
Rolling of comebacks
1
5
3
Handling boy groups
1
5
4
Handling girl groups
1
5
5
Assessment as whole
3
10
6
Longevity of groups
3
10
7
Handling issues and responding
3
10
8
Communication skills
1
5
9
Others
Star Empire/Brave Entertainment
With Brave’s debut of DKB and new comeback for Brave Girls, hope the agency use this opportunity to correct their past mistakes.
Contrast Brave’s improvements with Star Empire’s dismal performance. For over a year they haven’t promoted their new group Ariaz. What’s happening? And by the way, any news of ZE:A? To add, IMFACT’s comeback was their only project this year.
If Nine Muses’ Ryu Sera tries to debut as a soloist after more than a year, that will be a big slap for the agency.
Star Empire: Rating: 56.67% Grade: F Assessment: Failed % Change: +2.67%
(Side Note: In rating agencies, primary objective is to evaluate agencies’ responses to various issues. Responses are a crucial ingredient for agencies’ and groups’ survival, fame, and profitability.
Communication skills will be added as another criterion to further emphasize the foregoing point. Finally, the following only covers the whole of 2020:)
Further, the agency’s CEO pushed their Hip comeback at an earlier date, just for the group to rest. RBW then added another comeback for this year, and additional promotions for Moonbyul’s online concert and Wheein’s solo engagement. And upon hearing pleas from Moomoos to take actions, RBW responded accordingly by giving additional updates on the matter.
A point for improvement must be discussed. We earlier mentioned that RBW opened its doors for non-Koreans. They have let the “trainees” do the experience in a given time, but the agency can do better aside from this.
What will they do if he was cleared of charges? Two scenarios:
If reintroduced as part of Monsta X, this might cast negative remarks from netizens. If permanently removed as part of the group and agency, this will make Monbebes sad and unsatisfied. It seems that Starship was finding ways to deal with Wonho’s case, strike balance, and provide win-win solution for all affected.
Let’s go to their responses for other members. When news of health issues surfaced with Joohoney and Shownu, Starship immediately issued statements, clarified, and apologized.
For WJSN, Starship provided enough promotions as a group and as a subunit. There we noted how considerate the agency was by providing equal opportunities for the members to shine, not just Yeonjung.
Improvements
For improvements, that would be on taking serious actions against those who try to ruin reputations. To recall, Monsta X went downhill due to accusations from Han Seo Hee last year. And it turns out that all charges are false, but the scar remains. While better late than never, Starship should’ve learned better.
What about WJSN? To a lesser extent, this is on them issuing updates for promotions in China. Any news of them? If not for Cheng Xiao’s photoshoot, any idea what’s going on?
Nevertheless, Starship’s response on Wonho and Monsta X this year is very impressive. As such, extra five points will be given to the agency.
Rating: 91.67% Grade: A- Assessment: Very Good % Change: +11.67%
Scoreboard
Criterion
Points
Base
1
Promotion of groups
5
5
2
Rolling of comebacks
5
5
3
Handling boy groups
5
5
4
Handling girl groups
3
5
5
Assessment as whole
7
10
6
Longevity of groups
8
10
7
Handling issues and responding
9
10
8
Communication skills
3
5
9
Secondary frontline service
5
5
Finding win-win solution on Wonho’s case
5
PNation
The agency only managed to do collaborations with JYP for their first project Loud, even if they sustained in promoting their artists like last year. Let’s see how far this project can go, and how much of an impact will it give to the industry.
Plus, we haven’t see PSY himself being involved in major shows and projects (as judge or guest). Judging from PSY’s activities, he’s not keen on doing comebacks for himself (like what J.Y. Park and Kang Daniel did). The momentum that was Gangnam Style/Gentleman is now lost.
Responding to its issues are worth noting, as was their decision letting Yoojung take rest, enabling her to join various activities this year. Another was on Cha Eunwoo’s visit at the time social distancing measures were strictly enforced. Final topic is on updating on status against malicious commenters.
On a brighter note, Fantagio added Kim Doyeon in its roster of KPop talents joining the drama, plus KPop stars Moonbin and Sanha as MCs in Show Champion. To add further, Moonbin and Eunwoo are engaging in their respective web dramas. Hope these moves help in getting the groups recognition they deserve.
In the future, the agency should seriously consider some improvements. Case in point: Weki Meki. As with previous years, Doyeon and Yoojung are being more famous to the detriment of the group and the rest of members. Fantagio should take cues from what Starship is doing to WJSN.
Rating: 90.00% Grade: A- Assessment: Very Good % Change: +10.00%
Scoreboard
Criterion
Points
Base
1
Promotion of groups
4
5
2
Rolling of comebacks
5
5
3
Handling boy groups
5
5
4
Handling girl groups
4
5
5
Assessment as whole
8
10
6
Longevity of groups
9
10
7
Handling issues and responding
9
10
8
Communication skills
5
5
9
Secondary frontline service
5
5
Off The Record Entertainment
It’s surprising that a company with only two groups still has management issues. Why? It seems that their focus is only on IZ*ONE.
With the lead group on hiatus prior to Fiesta promotions, OTR should’ve promoted fromis_9 first. But they are wasting time and the latter group’s potentials to shine. Flovers are growing uneasy over the group’s hiatus for several months. As what a netizen narrated:
“A company must have been so dumb to put a group into 8 months’ hiatus after the most successful comeback, and another 8 months’ hiatus after comeback with their highest selling albums…”
Apparently, the group has been in the dungeon for several months, being barred from having contacts outside until their Japanese promotions. And despite requests from Flovers to disclose the real reason, OTR still kept silent on this.
It’s not surprising that despite “increased’ popularity over their sole comeback this year, OTR will still act like this:
Another minor issue speaks of IZ*ONE. First is on Hitomi, where fans noticed her drastic weight loss. Any interventions to keep her in ideal shape? Too much of being thin is not good after all. Lastly, on them being permanent. With immense popularity, visuals, and awards received, they deserve to be promoted as a regular group. But again, will they last?
Let’s go to positive response. Aside from promoting their lead group, they announced their desire to go after malicious comments.
Final Words
As months are catching up over IZ*ONE’s life, OTR has to give these mature concepts to the Idol School group. This poses greater chance of recognition needed by the permanent group (and profitability for OTR in the long run).
Rating: 52.73% Grade: F Assessment: Failed % Change: -29.49%
Scoreboard
Criterion
Points
Base
1
Promotion of groups
3
5
2
Rolling of comebacks
4
5
3
Handling boy groups
4
Handling girl groups
2
5
5
Assessment as whole
6
10
6
Longevity of groups
5
10
7
Handling issues and responding
3
10
8
Communication skills
1
5
9
Secondary frontline service
5
5
Polaris Entertainment
(Polaris will be rated on behalf of Block Berry Creative.)
The legal case it faced turned out to be more advantageous to Polaris. Combined with their provision of two comebacks, these things placed LOONA alongside top long-established girl groups this year.
The Donuts incident is just a stroke of luck, which the agency ought to realize. In its future engagements, Polaris must learn lessons from the incident.
Owing to consequences of premature disclosure, it’s understandable if OSR did not disclose this matter immediately. Even if they decided to shut down operations, they still manifested their concern towards the group.
(Side Note: In rating agencies, primary objective is to evaluate agencies’ responses to various issues. Responses are a crucial ingredient for agencies’ and groups’ survival, fame, and profitability.
Communication skills will be added as another criterion to further emphasize the foregoing point. Finally, the following only covers the whole of 2020:)
CUBE Entertainment
The change of ownership within the agency indirectly helped in instituting necessary reforms for their artists – with a bit of paradox.
Positives
After months of promotional delays, CUBE gave CLC necessary promotions. By the looks of it their spending is no joke. By providing them a new logo, own colors, and own emoji, there manifests Cube’s willingness to promote them this year. To a lesser extent, Yeeun joined Mnet’s show Good Girl, which helped a lot for others to discover the underrated group.
As to PENTAGON, they fielded the group in Kingdom to promote them better. For BTOB, they promoted Eunkwang as one of their directors. Being in this position will help a lot for Cube to look for improvements from an artist’s perspective.
In general, they have also filed criminal charges for problematic posts against its groups.
Negatives
Still, Cube has to treat their groups very well, and respond to these issues:
First is on CLC. Despite being in the K-Pop scene for five years, they haven’t provided some stuff to the group until recently (e.g. official lightstick and own concert). Cheshires were complaining as CLC were not being given proper promotions.
It’s funny and ironic that Cube only saw potentials in the younger group, while they haven’t done the same to CLC. Elkie’s legal request for termination became a tipping point, detailing that Cube would not give anymore support to the group for 2020. And with her departure, CLC’s future direction is still unclear.
Second is on G(I)-DLE. This is more on grabbing concepts from them. The blatant takeaway of concepts (as for I-Land) without proper credit must serve as red flag for Cube. Despite Neverlands’ pleas to do so, still no action taken. In addition, the girls received unwarranted hate on cultural appropriation in a music show. Being unresponsive towards these remarks might pose great risk to the group’s reputation.
Finally is on PENTAGON. With Jinho on military service, what would be Cube’s solid plan so as to keep the group intact? (Similar case goes to BTOB with regards to Sungjae and Hyunsik.)
Also, with their mistake not clarifying issues on Yanan during his hiatus, even if he intends to resume activities, how will they improve their communications next time? This was their major issue with Universes, who at one time launched signature campaign to force Cube to speak on it. Earlier, Hui took the initiative to update fans on Yanan’s status.
Rating: 73.33% Grade: F Assessment: Failed % Change: -18.34%
Criterion
Points
Base
1
Promotion of groups
3
5
2
Rolling of comebacks
4
5
3
Handling boy groups
4
5
4
Handling girl groups
3
5
5
Assessment as whole
7
10
6
Longevity of groups
8
10
7
Handling issues and responding
7
10
8
Communication skills
3
5
9
Secondary frontline service
5
5
Pledis Entertainment
For positive notes, Pledis cancelled various schedules for SEVENTEEN’s world tour due to the pandemic. This is on top of health status (for Jun and Seungkwan) and providing solo tracks for The8. They even went beyond to defend NU’EST, through issuing statements denying Minhyun being infected (albeit they sincerely apologized for this), and demanding a show to correct mistakes on its broadcast involving the said members.
However, even without existing girl groups, the shadow of mismanagement against them continues to this day.
Let’s discuss a bit on some female artists leaving the agency – for good. First is on After School’s Rainawho left last December 2019. Her decision effectively puts Nana as the only member of the defunct group.
Second is on Kyulkyung, who hails from both I.O.I and Pristin. After wasting talents on girl groups, it seems that Kyulkyung made the right decision to remain with engagements in China. The case buildup against her confirmed the agency’s poor skills – from promotions to taking care of her. It becomes clearer upon invoking legal threat of contract after she made a “careful consideration”. If an agency instructs talents to remain, while in the first place it is at fault, then there’s a serious problem on their part.
Finally was on Nayoung and Xiyeon, who are now starting to venture on drama. If they will be successful in their decision, this will be a definite big slap on Pledis.
Another aspect worth mentioning is on support for IZ*ONE through OTR – at the expense of its girl groups. Plus, on its former CEO Han Sung Soo taking advantage of profit-sharing on music compositions for temporary group. Very ironic that Pledis indirectly helped a girl group that’s not their own, while neglecting what’s already theirs.
Even with BigHit acquiring the now sublabel, nothing will change with respect to latter’s handling of talents. It seems that – thankfully – they are not considering opening up new girl groups.
(Side Note: Pledis does not seem to realize Pristin and After School’s potential, as indicated by brand index.)
Rating: 70.00% Grade: F Assessment: Failed % Change: No change
Criterion
Points
Base
1
Promotion of groups
4
5
2
Rolling of comebacks
4
5
3
Handling boy groups
5
5
4
Handling girl groups
1
5
5
Assessment as whole
6
10
6
Longevity of groups
7
10
7
Handling issues and responding
7
10
8
Communication skills
3
5
9
Secondary frontline service
5
5
FNC Entertainment
For this year, FNC still has to fix its lingering and present issues.
We earlier discussed how FNC kept silent over issues with recently-debuted Cherry Bullet. There we pointed out that if they continued to be dishonest and mismanage, better not debut another group. But it seems that the agency is still not learning lessons. Again they are debuting another group without fixing these issues first. As such, failing grade will still ensue.
Added to its major woes was on its handling of lead group AOA. With the revelations, the group crumbled, leaving only three members to date. If the agency consistently ignored Mina’s requests to fix issues within, it indicates gross negligence on their part.
(As revealed earlier by Choa and Chanmi, the CEO wouldn’t try to talk with talents unless they’re successful, and hence was trying to be blind over these issues. Had FNC fixed Mina’s concerns, it would not have blown up to the point that they’ll be dragged later on.)
Minor problem is on its promotions for remaining FTISLAND members. With Seunghyun leaving the band and Jaejin enlisting in the military, again what would be the agency’s plan to keep the remaining members afloat?
Rating: 60.00% Grade: F Assessment: Failed % Change: -14.55%
Criterion
Points
Base
1
Promotion of groups
5
5
2
Rolling of comebacks
5
5
3
Handling boy groups
5
5
4
Handling girl groups
1
5
5
Assessment as whole
5
10
6
Longevity of groups
6
10
7
Handling issues and responding
3
10
8
Communication skills
1
5
9
Secondary frontline service
5
5
SD Entertainment
In fairness, SD utilized again the crowdfunding project to sustain the group, since the agency could not stand on its own. Prior to that they gave a single comeback for this year, which is worth commending. However, some things are noticed.
We’ve offered some suggestions on how the agency could promote well its sole group SATURDAY, even with limited funding. But as things turned out, the group lost momentum that was WiFi. And it seems that they haven’t picked new ones to replace Chohee and Sion (which was a plus factor last year).
Another problem focuses on lack of statements explaining the departure of two. While ignored last year, this is now brought up as a minus factor for them since response and communication are very important.
Some things are hereby recommended: Aside from creating new MakeStar engagements, SD should involve the group in various reality shows, drama, and/or virtual concerts. To add, the agency has to use the bop theme as basis for future comebacks. Third is on sticking consistently to 1theK or any distribution company for future music till the group becomes known. Finally is on group name change, as the word “Saturday” is too generic to garner attention from the KPop community.
After Queendom, the agency did not falter in promoting Oh My Girl. This they do, giving a suitable comeback for the rising group, plus adding partnerships with Pororo. Going beyond they engaged Arin into her first drama and YooA on her first solo. When it comes to health, they still apologized to fans and gave updates on Jiho (first and second) and Binnie’s health.
As to ONF, the agency immediately responded upon learning of the comeback showcase incident. As these kinds of acts from sasaengs are uncontrollable, it’s heartening to see how honest and committed WM is in protecting the group.
For another good news: WM fielded their boy group ONF to Kingdom. Let’s see how this would help the agency a lot in future activities.
The only improvement needed for the agency is on strategizing promotions. While the Dolphin song was well-received, WM failed to take full advantage of it by providing another comeback and special album for it. These things won’t hurt WM Ent to be honest.
Woollim also did not waste time in prioritizing health and security of its talents, as is the case with Rocket Punch’s Yunkyoung, Golden Child (TAG and Joochan), and Lovelyz (on being impersonated and on theft case. And even if rare, they did a favor for Lovelinus (fandom for Lovelyz) by making necessary changes (twice) on Sejeong’s album cover.
However, while promotions are fine as to INFINTE (on L’s involvement in drama), Golden Child (via Kingdom), and Rocket Punch (thru its comebacks), Lovelyz has been their weak spot.
It should be noted that the group got 5th place in Queendom. It does not help that Woollim hasn’t provided adequate comebacks for the group, while other groups had finished theirs after the program. Results prove this. In standings with other fellow Queendom groups for 2020, Lovelyz would have really been left behind if not for AOA struggling.
(Side Note: In rating agencies, primary objective is to evaluate agencies’ responses to various issues. Responses are a crucial ingredient for agencies’ and groups’ survival, fame, and profitability.
Communication skills will be added as another criterion to further emphasize the foregoing point. Finally, the following only covers the whole of 2020:)
(BigHit will also be rated on behalf of Source Music.)
BigHit has been consistent in owning up to their mistakes, as noted in clipping out of J-Hope’s performance, and Jungkook’s violation of social distancing measures. It gave updates on Suga’s health. Speaking of malicious comments, they are collecting evidence and filed complaints in behalf of BTS and TXT. And finally they kept their commitment not to have any dating bans.
As if these good points are not enough, they even went beyond to give economic opportunities to BTS through investing, and assisting struggling advertisers by adjusting fees during the pandemic.
Further improvements
Even with various milestones, some things should be improved.
First is on subtle promotions for GFRIEND. It can be remembered that BigHit purchased Source Music with the aim of expanding its roster of talents. Even if popularity indices suggest that the group improved its overall standing, their potentials are wasted by not promoting them individually (except for SinB).
Someone noted that in Gangnam Beauty, “Sunny Summer” was being played in the campus. Upon dubbing in another language, this was not played. BigHit would’ve done its part further promoting GFRIEND had they found ways to play the song.
Second is on an undisclosed matter related to the girl group. While this improved in later months, the effect of it on GFRIEND and some Buddies merits another negative point for BigHit.
Third is on acquisition of Pledis. While the same was a bit fine, we might wonder how far its groups will go. And while the autonomy is respected, how would they discipline the now sublabel if it does something foolish again? The disciplining aspect to Pledis will be added as we grade again BigHit next year.
Finally is on security for TXT. It can be noted that they have been mobbed at Gimpo Airport, putting them at risk. Any stern warnings? BigHit might have overlooked this major issue.
(Side Note: In rating agencies, primary objective is to evaluate agencies’ responses to various issues. Responses are a crucial ingredient for agencies’ and groups’ survival, fame, and profitability.
Communication skills will be added as another criterion to further emphasize the foregoing point. Finally, the following only covers the whole of 2020:)
Last year, we did not disclose another pulldown factor as we are looking on the agency’s response. And it turns out quite pretty well. So, this pulldown factor will be removed in favor of JYP – for now.
The Downsides However, some improvements are needed. Primary concern is on scheduling of artists. It can be remembered that Jihyo and Kang Danielsplit up due to hectic schedules. With incessant promotions this year, this took a toll on their relationship. Maybe lessen promotions, particularly Japanese ones?
Second is on promotion of GOT7. With them being underpromoted and less protected, complicated with lack of response after being sent thousand emails, here comes the tipping point if JYP has no concrete responses.
(Side Note: In rating agencies, primary objective is to evaluate agencies’ responses to various issues. Responses are a crucial ingredient for agencies’ and groups’ survival, fame, and profitability.
Communication skills will be added as another criterion to further emphasize the foregoing point. Finally, the following only covers the whole of 2020:)
SM Entertainment
Positive note was on issuing congratulatory messages to EXO’s Chen, issuing same statement regarding Heechul and Momo, and gave updates on Changmin’s relationship. Summing it up, SM just confirmed relationships (and tolerating it) without going too low.
When it comes to comebacks, they are also consistent on giving it to most groups and soloists (NCT, Super Junior, Suho, Changmin, Seulgi and Irene), not to mention consistent promotions with NCT and Red Velvet. And do we have to mention the longevity of some groups? Plus, SM announced its plans for legal issues, particularly that of NCT’s Taeyong and RV’s first subunit.
Another aspect is on apologizing for mistakes and delays. First is on Irene’s issue, and another on delays of NCT’s second album release. Owning up to mistakes is something other agencies rarely have.
Plus point is on LeeSooman himself crediting BoA for being a K-Pop pioneer in international scene, not only for SM’s groups but for other groups that came after.
Finally is on developing its future plans for EXO and Red Velvet. This helps in defining direction despite uncertainties. It can be remembered that EXO’s Chen was still unsure of his standing with the group after his announced marriage. As for RV, while they charted internationally, there were serious issues such as Irene’s alleged bad attitude and Wendy sustaining injuries.
Improvements
Meanwhile, some weak aspects need to be noted seriously:
First is on its long-term plan for rookies. After several years of training, LaMi bid goodbye after six years, Koeun after five years, and Hina after five years, leaving only Ningning for debut. SM should’ve adopted a probationary approach to be fair on both sides.
Second issue is on debuting aespa. Though highly suggested, SM seems to repeat the pattern they did to previous groups (SNSD and EXO) upon debut of Red Velvet. Timing debut while existing issues are going on is a big no-no. Resolve issues first before debuting new ones.
Third issue is on implied revenge against SNSD’s Jessica. This has been apparent upon the deletion of Divine MV, and it’s regrettable that they still have the guts to do so. (It happened after the members attended their manager’s wedding.)
Fourth issue is on providing more content for Red Velvet. As explained, they only have 3 dance practice videos for the past six years. While we might tell that they are very famous, Reveluvs complaining of lack of content and promotions reveal the shocking truth.
Final issue is on further protection to its stars, particularly when dealing with some obsessive fans. Take Chen, where upon marriage, some Korean fans demanded his withdrawal. Same dilemma goes to NCT’s Chenle. What would be the serious plan to protect its artists from this longstanding problem?
(Side Note: In rating agencies, primary objective is to evaluate agencies’ responses to various issues. Responses are a crucial ingredient for agencies’ and groups’ survival, fame, and profitability.
Communication skills will be added as another criterion to further emphasize the foregoing point. Finally, the following only covers the whole of 2020:)
Quality over quantity has been a philosophy of YG. But while this was true in the golden age of KPop, this is not applicable today.
It came to a point where BLACKPINK members had to throw shade over YG several times. It also came to a point where some Blinks have to do it just to wake the agency from slumber. These things are the norm for YG, and the same method is continuously earning ire from fans.
YG must’ve forgotten to increase both quantity and quality. Just look at the number of lead tracks provided for its groups and soloists, and it’s quite miserable. (As is the case with BIGBANG, even if they renewed contract, still has no releases to date.) Furthermore, YG should’ve aimed for quality > streams as compared to present outlook where quality < streams.
It is to be noted further that some YG stans don’t want to improve this dismal situation. Being fixated on the mindset that Big 3 is only YG-JYP-SM and nothing else, and being hostile on moves to add BigHit to the mix, they’re giving YG impression that it can be complacent on changes in K-Pop scene.
Crucial also to further success of YG and its artists is on giving them power over creativity and content, not stifling them, idling around, or just placing talents on a specific mold. This is apparent over rapper One’s departure, LeeHi parting ways, KatieKim leaving the agency after lack of releases, AKMU not fully promoted this year, usual fewer content for Somi, and Rosé not being given solo activity despite pleas from Blinks.
Some good points are also noted. First is on retaining what B.I. left via iKON’s recent comeback. Second point is on involving Lisa as judge in Youth With You. Third is on being receptive to criticisms and shades thrown at them (plus issuing immediately statements for BP and WINNER). Fourth is on giving update on Junhoe and Jinhwan, plus on BP’s solo undertakings. Fourth is on pursuing legal actions on death threats against the Thai artist. Fifth is on making up for mistakes by giving additional content, as is the case with BP and WINNER.
Final positive aspect was on change of leadership. But we’ll have to see how far this new leadership will change the face of YG.
In the end, it’s too early to tell that YG improved, noting their poor performance in prior years. But if they improved substantially next year, we might ditch the term Big 3 + YG in favor of Big 4.
Good day! Here we are for our first rating of agencies this 2020.
K-Pop for 2020 has witnessed the pandemic taking a toll on various agencies, especially small ones. It was also the period where substantial changes in music industry are taking place. It saw proliferation of online concerts and meet-ups as temporary measure. This was also the time where some agencies are being dishonest and/or unresponsive to issues, hence the stricter approach as we talk about them.
The article summarizes the best and worst performing agencies for the year 2020. The grade given is based on criteria, and we are going to explain it in separate articles.
Lead groups provided are for reference purposes only. Big 3 Agencies for 2020 are indicated in bold.
Owing to the agencies going to work despite increasing cases, another incentive will be given: All agencies not mentioned here and subsequent articles are presumed to have rating of 88.00% (B+ or Good), unless otherwise stated. This is for agencies with at least one comeback for January – November 2020. Otherwise, the rest will get a rating of 85.00% (B- or Satisfactory).
See for yourself if your favorite agency is on the higher list or is lagging behind.
Rank
Agency
Lead Group/s
Rating
Grade
Assessment
1
WM
Oh My Girl
96.67%
A+
Excellent
2
RBW
MAMAMOO
95.00%
A+
Excellent
3
Play M
Apink
95.00%
A+
Excellent
4
OSR
HINAPIA
94.29%
A+
Excellent
5
Starship
MONSTA X
91.67%
A-
Very Good
6
Fantagio
ASTRO
90.00%
A-
Very Good
7
JYP
TWICE
88.33%
B+
Good
8
Woollim
Golden Child
86.67%
B-
Satisfactory
9
SM
NCT/Red Velvet
85.00%
B-
Satisfactory
10
Polaris
LOONA
83.64%
C+
Improving
11
BigHit
BTS
83.33%
C+
Improving
12
Brave
DKB
81.67%
C-
Needs Improvement
13
SD
SATURDAY
80.00%
C-
Needs Improvement
14
PNation
Dawn and Hyuna
80.00%
C-
Needs Improvement
15
Kakao M
IU
80.00%
C-
Needs Improvement
16
YG
BLACKPINK
76.67%
F
Failed
17
Cube
(G)I-DLE
73.33%
F
Failed
18
Pledis
SEVENTEEN
70.00%
F
Failed
19
Marbling
Busters
67.27%
F
Failed
20
FNC
AOA
60.00%
F
Failed
21
MBK
DIA
56.67%
F
Failed
22
Star Empire
ARIAZ
56.67%
F
Failed
23
Off The Record
IZ*ONE
52.73%
F
Failed
24
MLD
Momoland
52.73%
F
Failed
25
Jellyfish
VERIVERY
51.67%
F
Failed
26
TS
SONAMOO
25.45%
F
Failed
For details, check these out. We will provide the links sometime:
Which K-Pop groups are the most popular this year?
This rating started last December 2019 to determine objectively how famous or reputable a K-Pop group is. The rating results are released every June and December. This index will help agencies to strategize their promotions and assess their weak points.
For month of December 2020, here are the 100 top K-Pop groups for the past eleven months. See if your favorite group is on top or is lagging behind:
Some notable and/or surprising points are noticed here:
DREAMCATCHER, MCND, and NCT has the most number of comebacks for 2020 (5 each). This is followed by BTS, Stray Kids, and TXT which has four comebacks each. Out of 161 groups mapped, 82 groups were given at least one comeback for 2020 (50.93%).
Other groups who topped the charts were aespa, PENTAGON, and THE BOYZ. For the album sales, other groups leading the same include ATEEZ, SF9, AB6IX, CRAVITY, and VICTON. Overall, 26 groups made it to the charts and albums aspect, even with no releases for eleven months.
Momoland, BLACK6IX, and Rocket Punch has the most number of concerts/fanmeetings for the previous year.
As with June 2020 index, rising stars who consistently garnered reputation are (G)I-DLE, LOONA, Oh My Girl, GFRIEND, and APRIL. Additional emerging groups for the previous year include ASTRO and DREAMCATCHER. Groups that had their standings lowered include ATEEZ, AB6IX, AOA, and Lovelyz.
Agencies assessment
For Big 3 + YG, SM still has its groups on Top 20. JYP has TWICE and Stray Kids as its reigning girl and boy groups respectively. YG still constantly places most of its groups to the Top 30. For improvements, TREASURE, DAY6, and iKON still hasn’t established their reputations in Korea.
Let’s go to the groups under BigHit. BTS still reigned supreme. The acquisition of Source Music proved more advantageous to GFRIEND. On the other hand, it’s too early to tell how the acquisition of Pledis fared well.
While Cube’s (G)I-DLE and PENTAGON’s status increased considerably, virtually no change happens to CLC. RBW maintained MAMAMOO’s status, and as for ONEUS theirs increased a bit.
IZ*ONE still is OTR’s lead group, while fromis_9’s status lowered a bit. Jellyfish pulled up Verivery and Gugudan, which is quite surprising. For Woollim, net increase was higher for Rocket Punch and Golden Child, and lower for Lovelyz. Meanwhile, PlayM’s groups registered increases in its group standings.
WM progressed substantially with its existing groups. As to FNC, AOA’s status took a dip in contrast with other groups.
In previous year, Wanna One emerged as the most popular group disbanded under Produce series.
Most popular underrated boy groups include THE BOYZ, SF9, ATEEZ, MCND, and Verivery. For underrated girl groups, leading are APRIL, cignature, Weki Meki, and Rocket Punch.
Mechanics
This index gathered all available verifiable information from January to November 2020. December 2020 is usually not included as this is considered as the “wrap-up month”. These are computed and assigned weight as follows:
Reputation Index: 25%
Social Index: 21%
Album Index: 20%
Comeback Index: 15%
Chart Index: 12%
Promotions Index: 7%
For this index, the following data were considered:
Substantial changes in assigning weight per category were factored. However, the 50% sharing between Korea and global in this index is retained.
Only groups listed in Korean Research Business Institute are considered in this listing. Other groups not mentioned are considered highly underrated.
The “Millions Approach”, that is, multiplying a criterion to make a score millions, is still used to promote fairness regardless of weight assigned.
The Korean chart’s monthly album sales is factored on December 2020 index, in contrast with June 2020 index where this isn’t considered.
The concerts/fanmeets aspect from January to May used a hybrid of offline/online concerts as basis. For June to November, only full online activities are taken into account.
This is to announce that starting December this year, CNBLUE will be added to bias list.
It can be remembered that the author left the fandom last March 2014 due to studies. But it would not be forever, on the condition that they become more famous. This condition was later changed to tell that if all members were discharged and given a comeback, the author will resume being a Boice.
In fairness FNC gave them immediately a single comeback to welcome them this year. And after more than 6 years of slumber, the author is now officially a Boice. This will have an effect of reassigning FNC groups under the boyband, having 29 groups followed to date, and 3 slots open for other groups to be followed.
Sa pagkakataong ito ay ating tatalakayin dito kung anong meron. Kahit alam naman natin na joke iyan, hindi maiiwasang mapaisip ng seryoso, kahit konti lang. Simulan natin!
Understandable naman na sa isang relasyon, most of the time ay binubuhos ang maraming oras sa kapartner. Understandable din kung ayaw nilang maghiwalay silang magkatabi. Given na iyan.
Pero hindi maganda pag umabot sa punto na kahit kaunting oras ng “me time” ay ipagkakait pa. Masyadong clingy at toxic pa nga kung tutuusin. At lahat ng sobra ay masama. Hindi dapat ganoon.
Kung paanong ang magkasintahan ay lumalago pag magkarugtong, dapat may chance pa rin na maglaan ng oras para sa sarili. Para magkaroon ng individual growth. Kasi at the end of the day, dalawa pa rin kayo, though relationship na ang nagba-bind sa inyo.
Isa pa, medyo weird na yung feeling na every second na wala siya, mag-iisip ng hindi maganda. Na komo’y maghihiwalay na. Kung tutuusin mas masuwerte pa nga sila. Yung ibang magsyota, inaabot ng buwan o taon na in a relationship kahit ilang kilometro ang agwat sa isa’t isa.
Growing individually or spending even a bit of personal time away does not necessarily diminish one’s worth or value of a relationship. Distance does not also determine how far romantic relationships can go.
Good day, readers! We now have another new kind of recipe. This time, we will take the milkshakes to another level. This will be called a Washing Machine milkshake, as we will use washing machine as main ingredient for this.
“Doctors tell that washing clothes causes body pains. For one not to have it, drink washing machine before washing clothes.”
Are you ready? Here are the ingredients:
One whole washing machine, preferably near end of its useful life
Sharp objects like knives and axe to grind
One liter of milk
One kilogram of sugar
Crushed Ice
Blender. For optimal taste, you may use the NutriBullet
How to prepare:
Chop the washing machine into smaller pieces.
Place the chopped pieces into the blender.
Add milk, crushed ice, and sugar.
Turn on the blender. Make sure the end result is crushed thoroughly. The Washing Machine Milkshake is now ready to be served.
So, there you have it. Hope this recipe adds up spice to our lives, especially that we are now living in increasingly boring world. Have fun, and see you again on our next recipes. Happy cooking! 🙂
Writing this just to call out Buddies who became unappreciative, and some who are toxic towards other fandoms.
At one point the author shared a funny write-up, which unfortunately Buddies just ignored it. It seems surprising and awful to see how the fandom acted that way. The article is funny, is light-hearted, and it lifts up the mood of us who follow GFRIEND. What’s something in the write-up that Buddies can’t appreciate?
Another attitude by some fans is on dragging other groups down. It’s okay to have a comparison, as long as one has basis. However, to share a discussion that’s dragging other group in favor of GFRIEND is an absolute no-no. And telling the other group that they won’t reach the same level as GFRIEND? They just crossed the line.
These things are unusual for any K-Pop group that is being tagged as peaceful and engaging. In this case, we are strongly warning the fandom through this notes.
As part of improvements with respect to K-Pop, the author hereby announces major changes in its bias list.
There are some groups that will be removed from bias list. Sad as it may seem, but considering present situations, it’s time for them to go. However, others will enter the scene.
Starting November 1 this year, Busters,SATURDAY, and AOA will be removed from bias list, and all biases are removed. In turn, this will bring the present line-up to 25 groups followed as of that date. Groups removed shall trigger reassignment of existing groups that will “handle” others that are not followed.
Busters will now not be followed anymore after nine months. This is due to frequent change of lineups bringing them down to three members. Added to that, even if their agency partnered already with MyDoll for a collab with Pink Fantasy, the future of the group seems to be bleak. Almost the same case goes for SATURDAY after a year and seven months, which also had line up changes and lack of funding for promotions. Given that popularity was not sustained, no choice but to take them off. Lastly, AOA being removed (after a year and nine months) is indirectly attributed to the major scandal they faced, and the lack of activities that resulted after it.
It is hereby assured that in removing these groups, no grudges of any sort are involved. They will not in any way be treated differently. Still the level of following for music and performance, as it was before, will be sustained.
In addition, GWSN and Weeekly will be followed on November. They will be added and biases will be determined only once membership in these groups takes effect. In turn, the future line-up will be increased to 27. Four slots are still open for new groups to be followed.
CNBLUE has been considered for inclusion, but given FNC‘s lack of urgency to provide them a comeback, it will be given up to December this year to produce one (before they’ll be followed). Otherwise, they’ll be off forever from the list.
Sa pagkakataong ito ay pinipilit ko nang isulat ito kahit sobrang busy na.
Ang love advice na ito ay bilang pasasalamat sa lahat ng tumulong sa akin dati. Lalo na sa mga panahong hirap akong maghanap ng trabaho. At lalo na sa paghubog sa akin kung anong meron ako ngayon. Sige, simulan na natin!
Hindi na kaila sa atin na marinig ang mga negosyo na nagsara dahil sa pandemya. At hindi na rin maitatanggi na marami ang nawalan ng trabaho dahil dito. Ilan sa mga madalas na rason ay ang nature ng operations, lumalaking gastusin, at restriksyon ng gobyerno sa paggalaw ng tao. Ngayong wala nang trabaho, saan na sila pupunta?
Sa totoo lamang, importante na maging mapagkumbaba ang mga Pinoy. Lalo na sa mga diskarte na ginagamit ng ibang bansa para dumami ang trabaho kahit may Covid19. Kasi kung hindi, at pinairal ng mga Pinoy ang pagiging arogante sa best global practices, lalong marami ang maghihirap. Lalong mahihirapang makaahon ang ekonomiya ng bansa.
Sa Love Advice na ito, susubukan nating magbahagi ng konting tips para kumita sa panahong ito. Kahit late na, at kahit ito’y ginagawa na, atin itong uulitin lalo na para sa mga walang-wala nang trabaho.
Pag-aaply ng trabaho. Dahil sa restriksyon sa trabaho, lalong nagiging manipis ang tsansang makahanap ng bakanteng trabaho. Recommended rin na sa ngayon, maghanap muna ng vacant positions sa Jobstreet.
As always, subukang magpasa ng maraming resumes. At sa panahon ngayon ay hindi muna dapat maging choosy pagdating sa job preferences mo. Ang importante, magkaroon ka ng trabaho na magsu-sustain sa iyo sa ngayon.
(Regarding sa Indeed site, time and time again pinakita na hindi siya reliable job site. And this is based sa personal experience din.)
Pagnenegosyo. Patok na sa ngayon ang online selling, kung saan ibinebenta na through Facebook ang kanilang produkto o serbisyo. Iba’t ibang channels nito ang ginagamit (Story, Marketplace, Groups, etc.) para dito. Katulad ng nakagawiang negosyo, kailangan ding i-assess ang demand ng market/customer na gusto mong hainan ng iyong produkto.
Sa ngayon, mapapansin na marami nang produktong makikita sa Facebook pa lang: Copper masks, face shield, damit, at pati siomai franchising business pa.
Pag-set up ng kooperatiba. Sa kooperatiba, nagko-contribute ang mga miyembro ng pera o ari-arian para patakbuhin ang negosyo. Sila din ang may-ari ng naturang negosyo, at ang anumang kinita ay pinaghahatian nila. Kung tutuusin, mainam ito sa mga nawalan ng trabaho, na gustong magkaroon ng similar na hanapbuhay, pero kakaunti ang perang kinikita nila.
Actually mainam din ito lalo na sa mga artista at rank-and-file ng ABS-CBN na nawalan ng trabaho. Maari silang mag-contribute ng pera at media equipment para sa kanilang bubuuing sariling TV cooperative. Dito din nila puwedeng gamitin ang skills na natutunan para mapalago ang sariling TV coop. Anumang kinita nila dito ay paghahatian ng mga member-employees ng Channel 2.
Anuman ang diskarte mo sa negosyo sa panahon ng pandemya, make sure na ito ay angkop sa personalidad mo.
Panghuli, ipagdasal natin ang mga may-ari at ang mga empleyado na nahihirapan pa rin sa kanilang sitwasyon. Ating hilingin na sila’y makabangon, at kung maari, ay tulungan natin sila.
Sa pagkakataong ito, ating talakayin ang isyu ng isang lalaki na may problema sa kanyang girlfriend:
Nang nagsimula ang relasyon nila, puro gala ang ginagawa ng dalawa. Madalas babae ang nagyaya sa kanya. Gala dito, gala doon.
Isang araw, dumating sa punto na nahihirapan na ang lalaki sa sitwasyon nila. Dahil laging ubos ang kakarampot na perang kinikita niya.
My Advice:
Kailangang pag-isipan na ng lalaki kung dapat bang isustain ang relationship nila sa ganyang setup.
Wala namang masama sa pagala-gala, lalo kung maraming kinikita. Pero sa isang tulad niya na kakarampot lang ang kita, ibang usapan na iyan.
Sa totoo lamang, mahirap kumita ng pera. Lalo na sa panahon ng pandemya. Hindi ito basta-basta napupulot lamang sa kalsada, o pinipitas mula sa puno. Ang mga trips na hindi kailangan, hangga’t maari ay suspendihin muna. Anumang trip ay kailangang i-budget para hindi mapasobra sa paggastos. (Anyway, kung tatanggapin ng mga Pilipino na kailangang buksan pa ang ekonomiya ng bansa, tataas din ang suweldo at disposable income niya. Doon pa lang sa puntong iyon ay puwede na silang mag-gala galore.)
Piece of advice: Pagsabihan siya na maghinay-hinay sa gawaing ito lalo na kung nakakasakit na ng bulsa. Otherwise, hiwalayan muna. Bakit?
Pag hindi sila naging maingat sa pera, darating ang panahon na ito rin ang mitsa ng hiwalayan nila. Kasi mag-aaway sila sa kakulangan ng pera. Given fact na ang pagmamahal ay itinatapon lamang sa bintana pag matindi ang isyung pinansiyal.
Pero kung hindi man mauwi sa hiwalayan, mahihirapan sila pagdating ng araw. Lalo sa magiging gastos sa pangangailangan ng kanilang bubuuing pamilya.
In case you missed it, it was a year since Sulli died.
Up to now, the pain still persists. It would be just fine, and her death would’ve not gone in vain if K-netizens have learned lessons from this. But no, and even the hate she received, albeit in different topic, spread towards non-Koreans.
Fortunately, even with this case, only that of AOA’s Mina was the worst. But even so, netizens must be strongly reminded of Internet etiquette when dealing directly with celebrities.
Even up to now, I would’ve thought of some scenario if she chose to live another life outside the K-Pop scene. I would’ve thought of fulfilling her ultimate wish. I would’ve thought of making her really happy in this time of increasing uncertainties.
It’s just a part of life that we throw insensible remarks, something a fact that all of us should face. It’s just also a part of life if we have some dislikes within the K-Pop (or Hallyu) community. However, it’s up to us if we have to restrain or modify it so as not to hurt other people. It’s up to us if we really want a happy, peaceful world to live in.
Requiem aeternam dona ei, Domine, et lux perpetua luceat ei. Requiescat in pace. Amen.
Eternal rest, grant unto her, O Lord, and let perpetual light shine upon her. May she rest in peace. Amen.
Nito lamang Oktubre, ibinalita ang naging hiwalayan ni BuboyVillar at ni AngillynGorens dahil sa kanilang irreconcilable differences. Aniya, pagtutuunan na lamang nila ng pansin ang kanilang dalawang anak.
Bagaman kung tutuusin ay personal na decision nilang mag-live in at bumuo ng sariling pamilya, merong mga bagay na kailangang punahin:
Huwag magmadali
Una, ilang taon pa lamang silang magkarelasyon before nag-decide na bumuo ng sariling pamilya. At bata pa sila. Doon pa lang ay may problema. Bakit? Dahil hindi nila pinalipas ang mahabang panahon para makilala ang isa’t isa.
Sa totoo lamang, marriage (and even live-in) takes commitment. Hindi ito isang laro na “Ah, bubuo kami ng sariling pamilya. Bahala na pag maghiwalay kami.” It takes more than love para mag-workout ang isang relationship. Kailangan din ng tiwala at respeto sa isa’t isa.
Mas matindi ang responsibilidad na hinihingi pag nagsasama na, bagay na hindi maibibigay nilang dalawa dahil maagang sumabak sa relasyon. Dahil hindi sila guided sa maaring idulot ng pakikipagrelasyon nila. At dahil hindi pa sila matured enough para unawain ang aspetong ito.
Prangkahan tayo: Sa totoo lamang, tama ang sinasabi ng mga matatanda na ang pag-aasawa (o kahit na pagbuo ng sariling pamilya lang) ay hindi parang kanin na basta iluluwa pag napaso.
Hasty decisions
Ikalawa ay ang basta-basta na pagdedesisyon lalo ngayong tumitindi ang mga pagsubok. Kaunting pagsubok lang, bibitawan na agad. Di na gusto ang isa, hihiwalayan na agad.
Isang masakit na reyalidad na dapat nilang malaman: Lahat ng tao’y daraaan sa matinding pagsubok, at nasa atin na kung malalagpasan nang magkasama.
Isa pang bagay: Anumang desisyon ay pinag-iisipan nang mabuti, lalo na kung nakataya ang pamilya at mga bata. Maraming mga bagay na kailangang ikonsidera bago kumilos.
Iba pa rin
Panghuli ay ang pagiging magulang sa kanilang mga anak. Pero sana naisip nila iyan bago bumuo ng pamilya. Iba pa rin na maramdaman ng mga supling ang pagmamahal ng kanilang magulang sa isa’t isa. Mahirap na pag hindi buo ang pamilya.
Balikan natin ang Love Advice No. 95: Laging single parent. Kaya awkward lagi pag diniscuss ang family tree, family day etc. Bakit ganito sa panahong ito? Bakit di gaya ng dati na matibay ang samahan ng mag asawa?
So maari nating isaisip kung ano ang magiging epekto ng break-up sa mga anak, since hindi nila ito mararamdaman kahit kailan.
Final Words
Sa kabilang banda, kung ang isang partner ay naging iresponsable, may rason nga talaga para sila’y maghiwalay.
Alam ko na sa mga panahong ito ay may napupusuan ka na. O may relasyon ka na. Sa inyong road to forever, mas mabuting tanungin ang ating sarili, nang paulit-ulit. Kung handa tayo na maging committed sa buhay-pamilya. Kung kaya ba nating bigyan ng magandang buhay ang magiging mga anak natin. At kung happy o broken family ang iiwan natin sa mga anak natin.
Sa mga simpleng bagay na ito, malaking tulong na para sa magiging mga anak natin. Importante ito lalo na sa panahong di sigurado ang bukas.
Due to unforeseen events, limited write-ups will be resumed starting today, which is a day earlier than scheduled.
What if IZ*ONE disband? What will happen if IZ*ONE disband?
With several releases for IZ*ONE this year, we might at some point think what would happen to them if their contract ends. Without any consideration to make them a permanent group, it has to disband on April 29, 2021.
In this regard, we will assume that existing IZ*ONE members will remain in respective agencies after the group disbands.
Judging from what happened to I.O.I, we can predict some points:
Months after disbandment, the group will slowly lose popularity in Korea. If they be popular beyond contract date, that’ll be random.
More new girl groups will sprout in the coming years. IZ*ONE members who will be joining new ones will be more popular than the new group, as is the case with Doyeon (Weki Meki) and Sejeong (Gugudan).
The new groups handling individual IZ*ONE members will be handled by small agencies, which usually find difficult to promote new ones, or has history of management issues.
Despite having one or two members from the temporary group, new groups will still be considered underrated.
As to some individual members, we have a good idea of their future beyond the contract date:
Eunbi and Chaewon have greater chances of debuting in a new group with Woolim sometime next year or in 2022. Same goes for Yena with respect to YuehuaEntertainment.
Sakura, Nako, and Hitomi would go back to Japan and do their respective promotions. It would be impossible for them to do the same in Korea regardless of setup.
With WMEntertainment’s drastic improvement in promoting its existing groups, Chaeyeon might do very well as a soloist or as a member of WM’s new group.
Hyewon might be pursuing solo career or acting, as 8D Creative hasn’t produced new groups from previous Produce series. Same goes to Minju with respect to her agency Urban Works.
Stone Music would have preferred to assign Yuri as a solo artist.
Owing to Starship’s strategic and considerate responses, Yujin and Wonyoung might be known equally with the rest of the agency’s prospective girl group.
We Filipinos do appreciate your sincerity in apologizing to us, and telling more the good side of us Filipinos. We see some of your comments like “Sorry for making racist comments” and “I am so sorry for looking you down.” What touches most is an elementary student doing an apology, hence this post.
We Filipinos also wish to express our admiration for your faith, creativeness, and being responsive to changes. Thank you also for giving us K-Pop and K-Dramas, which some of us Filipinos look up to in times of sadness and depression. Despite this racism, thank you for choosing Philippines as one of your destinations.
However, TweetNewscaster’s promotions for K-Pop will be halted for a month for us to further reflect and correct wrongdoings of both sides. Please do some improvements with regards to netizens’ attitude. This has been a long-time issue for Hallyu stars and non-Koreans. We non-Koreans are against toxicity and disrespect.
On our part, we also extend our apologies if some Filipinos threw various insults against some Koreans. We will also take this as lesson for us Filipinos to be more careful with our words.
감사합니다! Thank you very much! THIS ISSUE IS NOW CLOSED.
The problem is on some Korean netizens spreading hate remarks. After this issue surfaced, we still see comments like “land of beggars and coconuts” and other insults.
IF SOME OF THESE NETIZENS DON’T HAVE A BIT OF CONSCIENCE, TRY HARDER IN ALIENATING NON-KOREANS. Try harder, but face consequences.
AS A MATTER OF FACT, WE FILIPINOS ARE LOSING FACE OVER OTHERS MAKING FUN OF US FOLLOWING K-POP AND K-DRAMAS. Do you think it would be easy for us as if nothing happened, since you justified their thoughts against us who love Hallyu?
Owing to some Korean netizens spewing harsh racist comments to non-Koreans, IT WILL TAKE A MONTH OR A YEAR BEFORE WE HAVE TO FULLY ACCEPT THE APOLOGY.
DO SOMETHING TO PREVENT THESE INCIDENTS FROM HAPPENING. IT REALLY HURTS THAT WE FILIPINOS AND OTHER NATIONALITIES HAVE TO EXPERIENCE HARSH COMMENTS FROM SOME KOREANS. AGAIN, WE DON’T DESERVE THIS.
As this is also a lingering issue, we will be stricter in dealing with groups and agencies. If they copy insensible remarks like these, zero-tolerance approach will apply. This will be effective come next month, when we will resume postings related to K-Pop.
그러나 입에서 나오는 것은 마음에서 나오는 것이다. 이것이 사람을 더럽힌다. – 마태복음 15:18 (KLB)
LOWERING LIGHTSTICKS, RAISING THE FLAG
Sure, PH has its own faults and is in dire need of sweeping reforms. But when other netizens insult and degrade our country, we have to defend the same even for a minute.
Some Korean netizens still have the audacity to ridicule Filipinos and their present status, even if Bella Poarch earlier apologized over an offensive tattoo sketch.
(Pardon my next statement, but we’ll be frank here:) THIS SHOWS THAT SOME KOREAN NETIZENS STILL DO NOT LEARN THEIR LESSONS, HAVE NO SENSE OF PROPRIETY AND GRATITUDE, AND TEND TO LOOK DOWN ON OTHER NATIONALITIES. THIS ATTITUDE MUST NOT BE OVERLOOKED, FOR MOST PEOPLE LIKE US ARE SICK AND TIRED OF THESE INSENSIBLE REPEATED REMARKS.
Sure, Filipinos are one of the most avid fans of Hallyu (K-Pop/K-Drama) wave. But when Korean netizens are not learning lessons from what happened to Sulli and Goo Hara and still go too low, we have to draw the line. That’s the time we have to lower our lightsticks, and raise our flag.
In case we forget, Filipinos fought side by side with international forces during the 1953 Korean War. If not for foreigners’ help, Korea would be a communist country by then. And by that time, these netizens would not be born there. Otherwise, they will endure extreme hardship their compatriots are experiencing in the North.
Pride, in its practical sense, would not lift us from our present status, but even for a minute that we raise it, sends a message that we Filipinos want respect that we deserve. Even just a minute, Filipinos have to assert our equal footing with them.
Because of insensitive remarks, all TweetNewscaster’s activities related to K-Pop will be halted for one month. No more release of videos or publishing of usual K-Pop articles till this period.
So, even for a moment, WE STAND IN SOLIDARITY WITH OUR FELLOW FILIPINOS.
Sa panahong ito na unti-unting niluluwagan ang mga restriksyon at quarantine protocols, hindi maiiwasan ang posibilidad na muling kumalat ang COVID19 sa ating bansa.
Mas kailangan nating mag-ingat at magkaroon ng disiplina sa sarili. Ito ay para na rin sa ating ikabubuti, sa ikabubuti ng ating pamilya, at ng kapwang higit na nangangailangan.
Manalangin tayo:
Diyos Amang nasa langit, kami po ay nagpupuri at nagpapasalamat sa Inyo sa patuloy ninyong paglingap sa amin.
Maraming salamat po sa patuloy Ninyong pagpuspos sa amin ng mabuting kalusugan.
Maraming salamat po sa patuloy Ninyong paglingap sa lahat ng mga frontliners at mga kawani ng pamahalaan, na patuloy na nagsisilbi sa bansa sa gitna ng pandemya.
Sa pagkakataong ito, Panginoon, nawa’y dinggin Niyo ang aming hinaing:
Nawa’y dinggin Niyo ang hinaing ng mga nagkakasakit dahil sa COVID19. Tulungan Niyo po sila lalo sa panahong sila’y nakakaranas ng diskriminasyon, suliranin sa pagpapagamot, at matinding depresyon.
Nawa’y dinggin Niyo ang hinaing ng mga napagkaitan ng tulong dahil sa sakit na ito. Tulungan Niyo po sila lalo sa panahon na kailangan nila ang tulong Ninyo.
Nawa’y dinggin Niyo ang hinaing ng mga nalugi at nawalan ng trabaho sa gitna ng pandemya. Tulungan Niyo po sila sa pagtustos sa pang-araw araw na pangangailangan ng sarili at pamilya.
Nawa’y dinggin Niyo ang hinaing ng mga frontliners at kawani ng pamahalaan, lalo sa pagtupad sa tawag ng tungkulin. Tulungan Niyo po sila lalo sa paggiya sa aming lahat.
Nawa’y dinggin Niyo ang hinaing ng bayan. Mabigyan nawa ang aming mga lider ng liwanag na simulan ang repormang kailangan, para maibsan ang epekto ng krisis na ito.
Sa aming paglalakbay na di sigurado ang kinabukasan namin, tulungan Niyo po kami na malampasan ang matinding pagsubok na ito sa aming lahat.
Aming ipinagsusumamo ito sa Inyo sa pangalan ng Inyong Anak na si Jesus. AMEN.
Maria, mapagpagaling sa mga may sakit, ipanalangin mo kami!
Just recently, ANS, Limesoda, and Hinapia disbanded. The first two groups’ reason was on bullying and/or mismanagement issues, and the latter’s reason was financial. Aside from these issues, we have also experienced issues this year like bullying, lack of transparency, and unfair treatment of other groups.
At this point where we have too many debuting groups and too many shady issues, it’s best to stop and reflect where are we now. Ask ourselves:
(1) Is K-Pop now on its apex?
(2) Are there trivial problems that need immediate attention?
(3) Is there a need to reform the industry as whole?
(4) Are agencies and stars being truthful in most of their engagements?
(5) And finally, is K-Pop now reaching its saturation point?
It’s important to immediately act upon these concerns, for if otherwise, K-Pop will have to face its imminent decline.
Saturation point
If we will see comments section in YouTube, we may have seen this line:
“They’re not a bed. So don’t sleep on this talented group.”
With new groups being formed, with more fans’ tendencies to stan only one, and with limited focus on vast groups, shall we expect many people to stan a particular group?
What another point have we noticed? Popularity is being preferred over talent, being emphasized in various TV reality shows. Fans are now sticking to streaming videos rather than upholding quality. And finally, most groups debut under small agencies, where issues like transparency, budgeting, promotions, and mismanagement usually surface without proper accountability.
First issue is on transparency. Most often, small agencies don’t give updates or respond to issues internally, till this explodes, as is the case with Momoland, Cherry Bullet, and this time ANS and AOA. This has been the problem since we started committing full-time to the genre.
Second is on budgeting, and that’s self-explanatory. As discussed, the genre tends to “require larger capital investment (comebacks, photo teasers, album production), choreography (dance instructors), promotional stage (logistic and costumes) and so on, for a group to release a single/EP/album.” This unfortunately puts small agencies to a disadvantage.
This is becoming apparent as Covid19 resurges in Korea, closing many businesses on the process. Here, we appreciate all agencies putting time and effort in various comebacks. It is for this reason that 15% is assigned for comeback index in our recent June 2020 article.
Third is on promotions, primarily on lack of strategy like providing online concerts, joining with major ones, and utilizing Makestar. Its not surprising that many groups don’t have comebacks at all. (In fact, out of 137 groups mapped, 84 have no comebacks at any point from January to May this year.)
Finally is on mismanagement. We discussed it in detail last year as we rated agencies. And still some did not learn lessons, particularly Jellyfish, FNC, MLD, MBK, and Cube. We have to subscribe to the principle that if agencies don’t handle (most of) its talents properly, better not debut another group. This principle will help a lot in making agencies more responsible over its actions, and in securing the future of upcoming/existing talents and groups.
So what?
K-Pop then should reconsider back to basic principle of quality over quantity. Despite its shortcomings, YG Entmight be right after all in sticking to this principle.
Let me pull a quote from a netizen for us to think about:
What is happening today “could be a sign that the market is at saturation point and that the industry model for producing music is unsustainable in the long run. There are a lot of groups (both male and female) debuting each year and a lot of them are by smaller companies.”
“There are only so much demand from the public can support financially, and such support are already gravitated towards the ‘hyped’ groups or established ones.” (Emphasis supplied)
Latest Updates:
We will publish Part 2 only if there will be new updates or issues at hand.
Moreover, we put on hold supposed uploading of full misheard lyrics. We have to wait first for a month to settle down before we upload it to our channel. Stay tuned.
Felt compelled to discuss this, since if left unchecked this might trigger another untoward incident. Lately she tried to take her own life again. With this, how can fans and family not be alarmed over it?
Her revelations came to the author as a surprise, since earlier her reason leaving AOA is on acting being a priority. Felt regretful on pointing out her decision when the group renewed contract. On the other hand, it’s startling how Mina tried to keep this irresponsible act for so many years.
Further alarming is her recent post missing Sulli:
Former AOA member Kwon Mina captions on her most recent IG post has raised concerns from fans
Originally, "또 시작이네 (Here we go again)" has become "진리야 보고싶다.. (Jinri-ya (Sulli), I miss you..)"
As this is happening repeatedly to her, and professional help is expensive, help from fans and family is needed. At one point, she might consider withdrawing from social media, and take time to let the pain pass away. Whatever the outcome, let’s hope that Mina obtain the strength to face these challenges.
This takes us to a very precious lesson that “We only live once.” Out of an immense timescale of the universe, we are only given a tiny fraction of it to live on. All the fame, riches, and glamour during our lifetimes will fade, but how we treat people is priceless.
What now after this incident? The members being truthful (and Jimin’s departure from the group) convinced me to remain as Elvis for now. Why? Somehow, these acts show that they own up to their mistakes, and take responsibility for it.
As you might guess it, what happened to Mina bears weight on grades that the author will give to AOA and FNC. And as it appears, FNC still does not learn lessons and take its issues very seriously.
Notes to K-Pop Fans
Considering the troubles K-Pop stars are facing, it’s best to defend them and cheer them up. Give them positive messages. Keep them inspired in every good deed they do.
This is the least that we can do to help our favorites. In this way we can help them overcome various challenges, especially in the emerging world of K-Pop.
Future Plans
Viewers might notice that the author haven’t been active for so long. Due to lack of time, we suspended the Awards, MV Reviews, and Love Advices till further notice.
Despite these, we will continue to be active on our YouTube channel. There we will focus on misheard lyrics for three seasons of 2020.
Latest update: Mina still posted another self-harm picture on Instagram, detailing the alleged lack of proper accounting of “trainee debts”. Fortunately the agency Woori Actors immediately responded by dispatching medic to help her. As this keeps on repeating, her situation right now is very serious.
As part of getting back on track, we will now review BLACKPINK’s first (and only?) song for this year, How You Like That.
Given YG’s tendencies, expect that this will be BP’s only song for 2020. As this is the second time reviewing the MV as a Blink, how will the author rate it?
Review proper
With respect to appearance, Lisa for the first time donned her short hair. Also, Jennie and Rosé changed their hair colors to white.
Let’s talk about visuals. Primarily, Jennie is being shown in a blue background with moving lights, as if she is swimming. On the other hand, Rosé made an effort to “dance” with the nature, as shown in her swaying inside the forest.
How about the Trojan horse shown at near-end? This they ask how do we like being betrayed and being fooled around. As to the oilrigs under the snow, we have to look yet for the deeper meaning behind it.
The chorus of the song is highly noted for its heavy but subtle beats. This is being also mixed with Lisa’s rap lines. Equally notable is on usage of Arabic tunes on second verse.
As compared to their previous comebacks, the music was simplified to the point that they don’t need heaver drops. It’s as if they’re telling us, “No need to make it fabulous or grand, as we will make up for it.”
Overall, How You Like That was quite fascinating. This also holds proof that while the group is taking on mature concepts, they are quite flexible in branching out to other song approaches.
Final Words
It’s good that YG decided to make a change by installing its new CEO. However, it remains to be seen if this will reduce longstanding complaints arising from delays and hiatus of its groups. Simply put, we’ll see if this change will translate to major improvements.
Meanwhile, due to BLACKPINK’s outstanding attitudes, we have to give five extra points in their favor. Also, Jisoo and Rosé will be added to the author’s bias list starting today, rendering all members as my biases.
With the gradual lifting of quarantines, and with enough tools needed, we are now going to resume site operations gradually starting today.
On our site operations, we are now starting to provide MV reviews for select acts. This will be added as the days go by, in time for major K-Pop releases this June.
We will give Love Advices, but in a different approach. Other write-ups like that of IZ*One’s future and Annual Awards are being written too.
For YouTube operations, misheard lyrics will still be split between Spring and Summer editions. Expected publishing date for these is on July 25. As part of deviating from standard ML vids, only famous groups will be featured. The rest may be covered in separate ML vids at year-end.
TNC will also attempt to branch out beyond ML to cover other K-Pop topics.
Part of our getting back on feet is on launching our new logo starting June 25:
This we need to make our site more presentable and have a better new look.
This logo will be used prospectively as profile picture in its Facebook page, and as logo for subsequent misheard lyrics. It replaces the simple “text-only” logo that stood well for four years. Picture of Janella Salvador will still be used as profile pic in this site and YouTube channel.
Summing up the meaning behind the logo:
The new logo presents three persons looking towards a blue ball. This represents focus towards spreading the other side of news to the world.
Three persons forming a triangle speaks of need to balance change and stability.
It being formed as a tricolored play button emphasizes TNC as an entertainment website.
Being an imperfect triangle, it tells of openness and flexibility to challenges in the years to come.
The old bar line and TNC’s text logo is retained as tribute to past efforts and accomplishments.
Side Note: As we are starting this, we are waiting for items needed in our newest misheard lyrics of ON.
In the coming weeks, we will gradually resume YouTube programming. Stay tuned.
For our next important review, we will take on our assessment of BTS in their recent comeback We Are Bulletproof. As this is their newest release after Black Swan and ON, we will review it right away. How will an ARMY rate the group?
Essentially, this is their another music video dedicated to their fans. This tells us that they are only seven, and that would stay the same if not for the help of ARMYs. This is a cartoon version of them, somewhat similar in concept to their comeback Make It Right.
Most striking was in them sitting in a bonfire. Upon touching the shining violet ball, a flash of light appears on them, transporting to a pedestal with the whale’s help. The violet balls that surround them represent ARMY with their lights, as if BTS were in a concert.
A message may be drawn up upon these visuals:
“We will continue to be like a bulletproof, we will continue to be grateful to our fans, and we will continue to appreciate them being with us in our journey.”
ARMYs would like to recall the scenes presenting previous comebacks. Some instances include swaggy scenes in No More Dream (0:25), the train/alley scene in Run (2:33 and 2:36), and table during sunset in Blood, Sweat, and Tears (2:46).
Musically, the song was set to a slow echoic mode, only to fasten in the choruses. This means that it was being played in a way that makes one stop and reflect.
It has been several months since their lead track Fear was released. Plus, this is the first time we review SEVENTEEN’s work, this time under BigHit. What will be the reviewer’s comments, being a Carat at the same time?
The story revolves upon them camping and doing various travels. The latter act shows them in the sky using the boat, similar to ATEEZ’s Illusion.
Let’s talk about the dance, where it is rarely being shown unlike in their previous comebacks. This implies that Seventeen wanted to feature more what they do, and what’s the story on My My.
As a whole, even if this was less exciting as compared to previous songs, I liked the music and their concept very much. This was the song that would tell me, “While we are excited, we have to tone it down as if we are chill.”
Liked also how they integrated the rap part in the second verse. While this was featured shortly, it speaks volumes. Seungkwan was given immediate chance to display his high notes, and that’s noticeable. Plus, hooting tunes and piano tunes are fully utilized.
Another joke: If their first release was Oh My, and followed by My My, expect another MV for Oh Oh.
For our another review, we will touch on DIA in their song Hug U.
This is their lead track for their sixth mini album “Flower 4 Seasons.” For this comeback, DIA promoted as five members, with Chaeyeon and Somyi not participating due to suspicious reasons. Rumors suggest that this might be their last work. Therefore, it is but fitting to review it.
The story revolves on the girls with individual work, later contacting each other to set up a meeting. Throughout the video, one reads at the library, writes letter, watering the plants, and setting the dates. Summing up the message:
“Even if we are busy, we express our longing to meet each other. As this is the moment, we have to prepare as if it’s the last.”
The music goes special with its piano tunes, followed by sparkling/watery ones used at the start. The rest of the song follows similar approach used by GFRIEND.
As a whole, it’s nothing but a typical drama approach used by the other group. What else would make me move into tears? And if not, what something else exciting would they offer to us?
From another perspective, this is the feeling they shared with Chaeyeon and Somyi. In a way this is their indirect message to the two, who are not included here.
It’s noticeable that AIDs are now seeking help for this work to be streamed. And it is worth commending that other fandoms responded to this plea.
Final Words
With DIA promoting as five and on the verge of disbandment, it seems that MBK failed – again – when it comes to talent management.
Since MBK did not issue updates, statements, or apologies over what happened to DIA and its members, zero tolerance approach now applies. This is a simple but strong reminder that incidents like this must be resolved the soonest.
In our series of reviews, we will catch up with TWICE in their lead track More & More.
For a bit of info, More & More is their lead track for the 9th album of the same name. This was their release for this year after long periods of rest (Finally!). Plus, it is their comeback with Mina being more involved in activities. How will a Once review their performance?
Primarily, TWICE emphasized the beauty of nature. It’s apparent in their harmonizing of modern facilities with natural settings (as is the case with swimming pool). Added to that was on featuring several animals like rabbits and cheetah.
On the other side of the coin, the group wanted to impart another important lesson. This is more on consequences if we want to know more and more. It’s good to note that they incorporated Biblical concept to point this out.
With regards to music, the video starts with slow, blobby, and echoing tune. While it adds eeriness, it gives depth to the song. Another note is on their ability to use hidden tunes throughout. This is placed appropriately as mere decoration as they sing.
Fortunately, in series of reviews, no one complained of Sana’s cute voice. That’s given already, and it would be disastrous if someone attempted to change the same. For Dahyun, longer rap lines assigned to her are well maintained.
So, for those who want a more mature concept, here it is. With apex being reached, and with TWICE’s responsive attitudes, we might wonder what else will they do in the months to come.
Which K-Pop groups are the most popular this year?
This rating started last December 2019 to determine objectively how famous or reputable a K-Pop group is. Instead of releasing it annually, this will now be released every June and December. This index will help agencies to strategize their promotions and assess their weak points.
For month of June 2020, here are the 100 top K-Pop groups for the past five months. See if your favorite group is on top or is lagging behind:
Some notable and/or surprising points are noticed here:
Older groups still maintain their leading presence in social aspect, particularly BIGBANG, f(x), B.A.P, and Girls Generation. Existing groups like SHINee, NU’EST and FTIsland managed to do this even with minimal engagements.
Five out of 20 groups (in chart index) were able to stay on charts even with no releases for five months. Overall, nine groups made it to the list even in similar situation.
Rising stars who consistently garnered reputation include (G)I-DLE, LOONA, Oh My Girl, GFRIEND, and APRIL.
BVNDIT and MCND has the most number of comebacks for 2020, as compared to 84 other groups (61.31% of all groups mapped) with no comebacks at all.
Other groups who topped the albums listing were ATEEZ, ASTRO, SF9, and Dreamcatcher.
Agencies assessment
For Big 3 + YG, SM fielded most of its groups to Top 20. Despite being out of the scene, Girls Generation and f(x) still reigned supreme. JYP’s reigning groups are TWICE and ITZY, but DAY6 is still underrated. YG, even with mismanagement, succeeded in placing WINNER alongside top groups. iKON still haven’t established reputation in Korea.
Cube’s leading group is (G)I-DLE, followed by PENTAGON. It helped that the agency gave enough comebacks and promotions for them. Still no improvements with regards to CLC, which up to date haven’t received these.
RBW still has to improve on promoting its boy groups. As to Jellyfish, we have to see how far Kingdom will pull up VERIVERY, not to mention missing comebacks for Gugudan. For Woollim, it has to strategize on its groups, especially with Lovelyz. Meanwhile, PlayM improved a lot for Apink and VICTON.
Most popular underrated boy groups include NU’EST, ASTRO, Stray Kids, and ATEEZ. For underrated girl groups, leading are APRIL, EVERGLOW, Dreamcatcher, and cignature.
Mechanics
This index gathered all available verifiable information from January to May 2020. These are computed and assigned weight as follows:
Reputation Index: 25%
Social Index: 21%
Album Index: 20%
Comeback Index: 15%
Chart Index: 12%
Promotions Index: 7%
For this index, the following data were considered:
Substantial changes in assigning weight per category were factored. However, the 50% sharing between Korea and global in this index is retained.
Only groups listed in Korean Research Business Institute are considered in this listing. Other groups not mentioned are considered highly underrated.
The “Millions Approach”, that is, multiplying a criterion to make a score millions, is used to promote fairness regardless of weight assigned.
Due to the Korean chart’s delay processing May monthly album sales, its weekly sales will be assigned 10% instead of usual 5%.
For our final set of review, we will touch on Momoland, in their song Tiki Taka. The title of their soft comeback is an outright imitation of Weki Meki’s lead track for Weekend Lol album.
The storyline simply tells of the group pressing the start button. Upon doing, they are being transported inside a game. There they do games with Pororo the Penguin like hula-hoop and tennis. Bananas collected represent the points they accumulated. (This reminds us of their previous soft comeback Banana Chacha.)
At any rate, the MV was colorful, and is simplified to the point that it’s becoming attractive. With regards to musical aspect, repeated hooks of Tiki Taka were not irritating, and in fact, served to carry the music well. The buildup of song was solid, and it was being emphasized during the chorus.
Final Words
Last year, we discussed and brought attention several times those incidents, which the agency and the group didn’t respond appropriately. And with Daisy’s departure, the trust is now lost.
As a result, failing grade will still continue, as similar incidents are being done against Cherry Bullet, fromis_9, DIA, and PENTAGON. Again, this serves as reminder for K-Pop to take these issues very seriously.
TweetNewscaster’s Overall Rating: 63.08% Grade: F Assessment: Failed
For another MV Review with underrated groups, we will tackle another rookie group for this year – SECRET NUMBER. For a bit of info, the five member group consists of Denise, Jinny, Lea, Soodam, and Dita. This is interesting since they came from different countries, especially that Dita is the first Indonesian to join K-Pop.
The group explained their concept as follows:
“Everyone has a ‘secret number’ that’s usually a birthday, anniversary, or some other special number.”
Impliedly, the MV of Who Dis? shows some secret nooks and crannies. These are discernible on all places in the video like that of the train, restaurant, and vacant area.
The title track and group’s name may be connected in a different way. When we ask who he/she is, and that person introduced himself/herself as “secret,” our curiosity is raised.
The music uses heavy beats on chorus, which is fine. However, what’s not good is on their “raps” at first and second verse leading to chorus. While consistent, it loses direction and lacks weight with respect to the rest of song.
Added to that was on not maximizing the jazz song played at the beginning, which should’ve been sprinkled till the end. That would’ve give another boost to their debut lead track.
Too bad that we haven’t reviewed BTS release of ON and Black Swan. But this time, we’ll make it in our new review here. How will a new ARMY review the soloist?
Let’s take a look on Suga’s single release Daechwita. In this case he used his alternate name Agust D. For simplicity, the author will not discuss the context behind the music and video. It’s best left to fellow ARMYs and other reviewers to do this task.
The story starts with a sitting ruler going outside the palace incognito. As with some leaders, he does this to view situations on the ground. Upon seeing a stranger, who is a modernistic twin, he held the latter captive. The modern twin is set to be executed at night, but upon execution wakes up and finally kills the ruler.
Viewed on the other side, the MV tells us of the struggle between old vs new way of life. This is on how they act, feel, and do. Daechwita’s visuals let us think, “What if these contrasts happen in real life?”
It seems that the music video fuses old and new approaches. Even if this is a way off, this adds color. The song opens with a rap, and Agust D sprinkles raps throughout the whole song. It helps in giving needed consistency to Daechwita, and tells us how powerful his raps can be.
Since the group’s attitudes are outstanding, five extra points will be added in our rating of Agust D’s work.
We will gradually resume site operations (except YouTube) starting with this review.
For more than four months, we haven’t written any review on latest releases due to fewer reads and the pandemic. As these take toll on blogging, we now have to gradually resume this. We will start on our first review with EXO’s Baekhyun in his latest song Candy.
The storyline consists of him going to an old warehouse, which was then retrofitted to be a dressing room and arcade room for his friends. It then tells how he spends his time together with friends, eating and playing all the time. Later on, Baek will realize upon walking that these are now memories.
The music video tries to impart that life is also full of sweets, which is relevant now amidst widespread sadness and depression going on. Tangible side is apparent on features of softdrinks, candies, and juice dispensers. Intangible side focuses on sweetness experienced upon playing of arcade games and sharing of foods together.
While the mood of the music is slow, the beats is fast enough to elicit excitement. Other noticeable additions of the song is on bubbly tunes heard throughout, and on howling tunes which give an eerie feeling.
In comparison with his famous UN Village, Candy lacked any suspense factor for it to be drawn attention with.
A little bit of improvement would be on pausing the song as Baek walks with freezing cameos. This will give an added tenseness, and will emphasize how sweet his life was before.
Due to partial lifting of lockdown, we have to gradually resume site operations. YouTube operations are still suspended till further notice.
For now, MV Reviews will be written. Criteria is further simplified, and reviews are focused on major comebacks. This is to save limited time allotted writing reviews.
Due to extended Enhanced Community Quarantine, the site and YouTube pages’ operations are suspended till further notice.
As misheard lyrics videos will be delayed due to handicaps, we will release these vids on a “rolling basis”. If finished next month, the first misheard for 2020 will include releases from January to May.
Even in times like these, TweetNewscaster is still committed in spreading fun. Thank you very much.
There will be updates for My Bias List this year.
We will add Busters in the list, with Chaeyeon as ultimate bias. Bias wrecker will be Jisoo till further notice. Rocket Punch will replace SATURDAY as one of three most fave groups, as the latter still has no improvements on its activities and promotions.
As both PSY and Hari aren’t releasing new songs for long time, the author has to leave their respective fandoms. Consequently, two slots are now open for groups to be followed.
In light of increasing cases of COVID19, less time allotted for leisure, and lower views, we will suspend TweetNewscaster’s operations in this site till further notice.
However, Featured Images of the Day and MV Reviews shall still be continued.
Due to lack of time to cover immense comebacks for February and March, we will just give a rundown on several comebacks per week.
To add, we will simplify further criteria used in reviewing their performances. From 19 criterion, we will trim it down to just 10. This move is also done to cope up with limited time given in reviewing tracks.
So, expect major impact this will bring on their future performances, especially on underperforming groups and agencies.
This move is also in consonance with Japanese “zero-tolerance” approach being strictly implemented in our reviews of K-Pop acts.
TweetNewscaster 